2016 Favorites of the Year: Shawn Hoklas

It’s time for Shawn Hoklas’ list of favorites as the regular contributors to the ComicSpectrum site each share their “Top 10” list for 2016.

We are not declaring our favorites to be magically the “best” things produced, but rather just  what they are, our favorite things. We were not constrained to any specific categories this year.  Each contributor was asked to pick 10 things they really liked that hit the stands in 2016.  Whether they were individual issues, series, trade paperbacks, books about comics, comics related toys, whatever. 

Take it away, Shawn!



 1. DC Rebirth
Last year I had DC’s Convergence on my Top 10 list. It was definitely not on there for the story, but for the simple fact that it had all of DC continuity matter again. This year, we got Rebirth which acknowledged much of DC’s missteps while moving the DC Universe forward, and bringing back legacy. We got Wally West and Ted Kord back, but also have DC’s New 52 all working together, at least for now. The Watchmen tie in was a shocker for almost everybody and although that storyline remains to be played out, I’m excited for all the possibilities! I’m really enjoying most of what DC is offering right now and it all kicked off here.


CREDIT: Image Comics

2. Fade Out
This one may not “officially” count for comics that came out in 2016, but I read most Image Comics in trade and the final trade of The Fade Out came along right at the beginning of the year so I had to add it. The Fade out is a look back at the Golden Age of Hollywood and follows two Hollywood screenwriters looking to find a starlet’s killer while trying to live within a world where they truly don’t belong. Creators Ed Brubaker, Sean Phillips and Elizabeth Breitweiser may be one of the best teams in comics and it shows with their work here. This is definitely my favorite series these guys have created yet, and may be the best thing I read all last year.



3. Superman
Back in my 2015 list, I had commented that I was happy we had the original Clark Kent and Lois Lane back.  Superman was my favorite series of 2016. For so long, both DC and Marvel have gone away from relationships and marriage, arguing that the character is more interesting when they’re not “tied down”, allowing more potential story opportunities. Superman has proven that theory wrong by showing Clark, Lois and son Jonathan as a family team, not just a heroic team with Superman and Superboy, but a team for everyday life. The issue where the family spends a night at the carnival was just as strong as the multi-issue battle against the Eradicator. This is what I’ve missed about DC for so long and can’t recommend this series enough.


CREDIT: Marvel Comics

4. Thor
I have to agree with Adam’s choice of Thor this year. For all the reasons he mentioned, but also for Russell Dauterman’s art. Dauterman fills each and every page and panel with characters and backgrounds that are each as beautiful as the next. I also love the fact that for the most part, Thor stayed away from Civil War II and allowed Jason Aaron and Dauterman to maintain their vision for the series and spend the time growing Jane Foster as a character.



5. Wonder Woman
It’s been a while since I’ve read and enjoyed Wonder Woman. The last time was probably when Greg Rucka was writing the character so it’s no surprise that I’m loving the character again. Rucka definitely has a handle on the character and artists Liam Sharp and Nicola Scott are a powerful one-two punch on the visuals. As much as I’ve enjoyed the storyline in the present, it’s Rucka and Scott’s take on the character’s origin that I love! I really can’t say enough good things about their take on the character from her learning how to speak the language, to her innocence in a modern world. This is a DC series that really shows the potential a rotating creative team can have on a series, and could be a model for other DC books that can’t pull this off as well. I’m happy I’m reading a Wonder Woman book again…it’s about time!


CREDIT: Marvel Comics

6. Spider-Woman
This may be my surprise pick for 2016, I was surprised at just how much I loved this series. Dennis Hopeless didn’t have Jessica Drew’s biggest battle be fighting Hydra or some cosmic baddie alongside the Avengers.  Instead her biggest fight was raising a baby on her own. With gorgeous and colorful art by Javier Rodriguez, Spider-Woman at times was my favorite looking book in certain months this past year. While at times, crossovers like Spider-Women and Civil War disrupted the book’s simplicity, it still did its best to remain true to focusing on Jessica and how her whole life has changed now that she’s a different type of hero…a mom.


CREDIT: Valiant Comics

7. Eternal Warrior
This past year I caught up on most of what Valiant has to offer and Eternal Warrior was my favorite of them all, and that’s saying a lot. Writer Robert Venditti made me love this character as he showed just what happens when an immortal character dies, and how he keeps coming back. Not only that, but there was an exceptional storyline called Labyrinth with stunning art by Raul Allen that shows how a villain attempts to trap an immortal, killing him over and over agin to try and find the secrets to eternal life. All of this while showing a softer side of the character I hadn’t seen before. Although I’m saddened to see this series end in 2016, I can’t recommend it enough. It’s fourteen fantastic issues that you need to read and I’m sure it will be back with a new #1 soon enough.


CREDIT Sideshow Collectibles

8. Sideshow Aquaman
I was beyond pleased when Sideshow picked up the license for DC a few years back. Since the Bowen and Marvel partnership seems to be over, I’ve been buying more and more statues and figures from Sideshow and Aquaman was my favorite this past year. He’s part of their “premium format figure” line so he’s a pretty big piece (that’s a normal apple next to it). Although these carry a hefty price, they’re worth it for collectors since this statue has plenty of detail from the scales on his shirt, to the intricate waves on the base. You also get multiple heads, including one with a beard and a harpoon hand if you’re a fan of Peter David’s run on the character. I prefer the classic version though, and hope to have the entire Justice League soon.


CREDIT: Image Comics

9. Descender
It was hard to limit myself to just one Jeff Lemire book this year. Moon Knight, Bloodshot, Thanos…all great and that’s not even counting Black Hammer which I loved! I was going to choose just Jeff Lemire as a “favorite thing”, but I forced myself to pick one book and that would have to be Descender. Tim-21 is a robot boy living in a world that has rebelled against robots and it’s a visual treat with art by Dustin Nguyen. With Sony picking up the rights to this comic, I feel as though this could make an amazing movie. Jeff Lemire is firing on all cylinders right now, and this is probably my favorite work of his this year…or maybe it’s Black Hammer, or maybe it’s Bloodshot….or… well the list goes on and on.


CREDIT: Marvel Comics

10. Carnage
As surprising as Spider-Woman being on my list was, I was even more surprised that Carnage made my list! Carnage? It’s a fun and smart comic that doesn’t take itself seriously and embraces some wonderful and quirky characters from Marvel’s past. Gerry Conway is writing a modern day bronze age Marvel horror book that always surprises me with just how much I enjoy each issue. I know that a Carnage book may be a turn off for most fans just because of the titular character, but it isn’t anything you’d expect…it’s better!

Thanks for sharing your favorites with us, Shawn!   We’ll wrap up this series of ComicSpectrum contributor favorites next time with what tickled Bob’s fancy in 2016!

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2016 Favorites of the Year: Al Sparrow

Al Sparrow now adds his list of favorites as the regular contributors to the ComicSpectrum site each share a “Top 10” list for 2016.

We are not declaring our favorites to be magically the “best” things produced, but rather just  what they are, our favorite things. We were not constrained to any specific categories this year.  Each contributor was asked to pick 10 things they really liked that hit the stands in 2016.  Whether they were individual issues, series, trade paperbacks, books about comics, comics related toys, whatever. 

Take it away, Al!

2016 was a crazy year all around. I don’t think I have to tell anyone that. It did, however, give us some great comics to read. Here’s a few I really enjoyed:


CREDIT: Ryan Browne

Favorite Book to Silence Anyone Who Says They Can’t Make Comics:
Blast Furnace: Recreational Thief! By Ryan Browne. (Crowdsourced)

Browne’s method for making this book is outlined right on the cover: One Hour Per Page + Zero Planning = One Sweet-Ass Story.  This book makes almost no sense, jumping from ridiculous plot point to even more ridiculous plot point. Yet it may very well be the most entertaining book I’ve read in the past few years, mostly because of that semi-organized chaos. Simply put, if Ryan Browne can devote an hour a day to create something this much fun to read, the rest of us are out of excuses.


CREDIT: Rapoza + Warren

Favorite Book for Anyone Who Played Dungeons & Dragons in the 1980s/1990s:
Steve Lichman, Vol. 1 by David Rapoza and Daniel Warren (Crowdsourced)

Ever wonder what all those monsters who dwell in the dungeon of your favorite RPG do while they’re waiting for your intrepid party to show up and do battle? Wonder no more…they live lives just a hair’s breadth removed from our own. They support (and ridicule) each other just like we “normal” humans do. A must for anyone tired of all the vampires showing up in our funnybooks these days.


CREDIT: Seven Seas

Favorite Book for Anyone Who Ever Wondered How to Have Sex with a Gargoyle: Monster Girl Encyclopedia Vol. 1 by Kenkou Cross (Seven Seas)

Not so much a comic as a…well, an encyclopedia (says so right in the title!)…this lavishly illustrated and meticulously thought-out book is chock full of information on pretty much any type of monster girl you could imagine. This being only the first volume, I’m guessing the author’s imagination might stretch a bit further than mine, so I’m interested to see what beastly femme fatales show up in volume 2.  A good companion book for anyone heavily into Monster Musume or the numerous other monster-girl books hitting the stands these days.



Favorite Book Designed to Sell You (or Your Children) Toys:
DC Superhero Girls: Finals Crisis by Shea Fontana and Yancey Labat (DC)

Make no mistake, this book (and its follow-up “Hits and Myths”) are out to get you to go the store and buy dolls, action figures, playsets, etc. It’s not the first comic to do this, and it certainly won’t be the last. That it’s able to be as charming as it is can (almost) make you forget its mission. Labat’s stylized artwork ties in nicely with the animated series as well as the toys themselves. Fontana, meanwhile, crafts fun all-ages stories that even the most disgruntled fanboy can enjoy. When was the last time Crazy Quilt was this much fun?


CREDIT: Dynamite Comics

Favorite Book for the Superheroine Fans of Yesteryear (and Today!):
Swords of Sorrow: The Complete Saga by Gail Simone and more! (Dynamite)

They had me at Gail Simone overseeing a host of the comic worlds best writers and artists. They kept me with the characters these creators would be tackling: Red Sonja. Vampirella. Dejah Thoris. Ms. Masque. Lady Rawhide…all mashed together in a multi-issue epic. I resisted the temptation to pick up the individual issues because a crossover of this magnitude pretty much demands a collected edition. You can simply drool over the amazing artwork Dynamite has become known for, but with writers like Simone, Nancy Collins, and G. Willow Wilson at the helm, you’re doing yourself a disservice to ignore how well the stories all tie together.


CREDIT: AfterShock

Favorite Book to Scare the Hell Out of Male Chauvinists:
InSEXts by Marguerite Bennett and Ariela Kristantina (Aftershock)

It didn’t take long for Aftershock to become one of my favorite new publishers and this book is one of the two reasons why (the other one is a bit further down the list). Two women with a very dark, sinister secret trying to survive in oppressive Victorian England? Written by Marguerite Bennett? Yes, I’ll have some more of that, please.


CREDIT: Dark Horse

Favorite Book for the Air Guitarist Inside Us All:
This Damned Band by Paul Cornell and Tony Parker (Dark Horse)

In my younger days I played bass guitar in a number of bar bands you’ve never heard of, so I’m very critical of any comic that involves rock and roll but treats the bass player as an afterthought (or worse, doesn’t even include a bassist in the band). Alex Lodge, the troublemaking bassist for Motherfather, the titular “damned band” in this book, is my new hero, and Cornell and Parker are my heroes for giving him life. If you love “The Song Remains the Same” but wish it’d had a bit more Satan in it, pick this one up.


CREDIT: AfterShock

Favorite Book for the Hero-Wannabe Inside All of Us:
SuperZero by Jimmy Palmiotti, Amanda Conner, and Rafael de Latorre

I mentioned earlier that I had two reasons to put Aftershock down as my favorite new publisher. This is the second reason. Dru Dragowski doesn’t just have the desire to get superpowers and save the world…she’s putting her dreams into action. How hard could it be to get a radioactive spider to bite you? What harm could there be in hiring a hitman to kill your parents so you’ll become the next Batman? If Kick Ass is the rude reality of becoming a superhero, SuperZero is the fun flipside to getting there.


Favorite Book(s) from the Not-So-Distant Past:
Daring New Adventures of Supergirl Vol. 1 and Supergirl Vol. 1 by Peter David (DC)

Thank Rao that the Supergirl show on CBS was as successful as it was, because we’re seeing more and more of her comic-book adventures from the past getting the trade paperback treatment. Two in particular made me quite happy this year. Daring New Adventures collects the early 1980s run with artwork from Carmine Infantino, and was one of the books I loved reading in my teenage years. The Peter David run from the 1990s remains one of my favorite takes on the Maid of Might and it’s my fervent hope we’ll see the entirety of that run get chronicled.


CREDIT: Vertical

Favorite Book about the X-Men Without an “X” in the Title:
Tokyo ESP by Hajime Segawa (Vertical)

While this series began publication in Japan in 2010 and stated US publication in 2015, each new volume released in 2016 immediately went to the top of my reading stack. Quite simply, it does the X-Men better than the X-Men do the X-Men. The war between ESPers (nee Mutants) and humanity is an ongoing struggle between those who want to use their powers for good and those who’d rather do evil. Sound familiar? Perhaps, but this series blends enough amazing writing and artwork to make you forget all about the word “Snikt!”

Thanks for sharing your favorites with us, Al!   Next time we’ll see what tickled Shawn Hoklas’ fancy in 2016!

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2016 Favorites of the Year: Adam Brunell

To close out the year we wanted to take an opportunity for each of the regular contributors to the ComicSpectrum site to share a “Top 10” list for 2016.  Since I have a strong aversion to calling my favorite things “best”, we’ll probably be one of the few comics site on the internet not declaring our favorites to be magically the “best” things produced, but rather what they are, just our favorite things.

 None of the contributors were constrained to any specific categories this year.  They were asked to pick 10 things they really liked that hit the stands in 2016.  Whether they were individual issues, series, trade paperbacks, books about comics, comics related toys, whatever. 

Kicking us off for this year is regular reviewer Adam Brunell.  Take it away, Adam.  Tell us what you loved from 2016!


CREDIT: Image Comics

  1. Seven to Eternity

Events in comics came and went like usual, but when I was trying to think of my top 10 items released this year that had to do with comics, all I could think of was, “Seven to Eternity”.  Writer Rick Remender has delivered an awesome story since the first issue. Everything read like a Dungeon and Dragons campaign with your friends sitting at the table. The art by Artist Jerome Opeña, dialogue and story are all easy on the eyes, and every comic released in this series has kept me captivated on every page.


CREDIT: AfterShock Comics

  1. Animosity

After Writer Marguerite Bennett got me hooked on specific comic titles I hadn’t been interested in since the early 1990s, I had to check out this comic. The high praise throughout the comic reader community, stunning story, writing style and art by Rafael de Latorre made this series a must have for me. Requesting the series late was my biggest concern, and it took me several months to acquire the first issue locally, because everyone kept selling out. Aftershock Comics is now on the 5th print for the first issue, and for good reason.


CREDIT: Marvel Comics

  1. The Mighty Thor

 Jason Aaron is well known in the comic world for his awe-inspiring writing skills, but nothing really stands out to me more than when Jane Foster became the Goddess of Thunder. Though the story started in 2014, Aaron keeps giving us more and more with this new Thor. When Jane Foster is not wielding Mjolnir, she is fighting cancer in her mortal form. The only issue that exists with crossing back and forth between from Thor to Jane Foster, is that Mjolnir destroys any chemotherapy coursing through Jane’s body. In recent events, it was revealed to readers that Mjolnir is actually an ancient storm with a personality trapped within the hammers structure. Artists Russell Dauterman and Steve Epting have provided astonishing works of art for each comic they have had a hand in. With a never ending fascinating story and art, this series had to make my list of favorites.


  1. SDCC 2016 Exclusive Star Wars Black Series Obi-Wan Kenobi Figure

 I was not lucky enough to go to the San Diego Comic-Con this year, but numerous figures and comics were exclusive to the Comic-Con. Certain websites would have some of the exclusive deals as well, but certain items went faster than others, and if you weren’t quick with your purchase, you lost the item. One of those figures released at the Comic-Con was Star Wars the Black Series Obi-Wan Kenobi. I was not lucky enough to get this item when it was released, but a friend was and he made sure to let me know he had it. The figure is well detailed to resemble the late Alec Guinness who portrayed Kenobi in the first original Star Wars trilogy. Included with the Kenobi figure is a lightsaber and a plastic replica of the stone table in Kenobi’s home with a little blue figure to represent the Princess Leia hologram asking for his help.


  1. SDCC 2016 Exclusive NECA Alien vs Predator Cloaked Scar Predator Action Figure

 I own this figure, and how I own this figure was out of pure luck. I have a friend that knows a guy that went to the SDCC 2016 Comic-Con, and old debts that were owed were brought into play for a good deal on the item. The figure isn’t transparent, but it’s a pure white Scar Predator figure to resemble the cloaked Predator from the first Aliens vs Predator movie. Being a big fan of the Predator and Alien movies, acquiring this figure was a blessing. Regardless of the figure being one color, the sculpture design of the figure is well detailed and clean. Included with the figure are several weapon accessories and a little colored structure to resemble the temple hologram in the movie.


CREDIT: Marvel Comics

  1. Amazing Spider-Man: Renew Your Vows

 I hadn’t touched a Spider-Man comic since 2007 when the events of One More Day and Brand New Day had taken place. I didn’t have good feelings for the story after that, and I still don’t. During the recent Secret Wars event this title came out, it was an alternate universe where Mary Jane and Peter Parker stayed together and had a daughter. This angle had shown what would have possibly happened if the events of One More Day had gone differently. Writer Gerry Conway and Artist Ryan Stegman deliver a captivating story with fantastic dialogue and intense illustrations.




  1. DC Rebirth: Superwoman

There were many titles released for the DC Comics Rebirth event, but the only one that stood out above the crowd for me was the Superwoman title. We are given a couple of fresh heroes just learning their powers, but they are long time characters in the DC Universe. Lois Lane and Lana Lang have acquired the abilities of a fallen Superman, so they are now super powered, but this much power is too much for their human bodies to handle. Writer and Artist Phil Jimenez along with Artist Matt Santorelli bring us a dramatic action packed story of two dying heroes who would rather power up and let their abilities kill them than to sit idly by and let innocent people suffer.


CREDIT: Image Comics

  1. Southern Bastards

This multiple award-winning comic shouldn’t need an introduction, Writer Jason Aaron and Artist Jason Latour leave little to the imagination with this series. With everything feeling chaotic in the Southern Bastard world, there is crime, mayhem, sports and just all around bastards everywhere.


CREDIT: Marvel Comics

  1. Secret Wars

 Though the title started in 2015, it ended at the beginning of 2016, which left the Marvel Universe changed. Heroes from alternate realities were pushed to different realities to form one Primary Universe. There are still alternate realities, just not as many. By the end of the Secret Wars we lost the Fantastic Four, because Reed Richards is now a cosmic God with his wife Susan and their children beside him in the heavens. Johnny Storm was left behind and is a liaison for the Inhumans, and Ben Grimm is now a member of the Guardians of the Galaxy until recently when they were stranded on Earth because of the second Civil War. Miles Morales and Peter Parker are in the same reality now, and Old Man Logan was pushed into the main Marvel Universe where the previous Logan had died. Remnants of faded realities are popping up all over the place, this series used a lot of different realities to answer a lot of “What if?” questions, but some also were just confusing. With all the side comics that were part of the Secret Wars, it wasn’t just one writer and artist to give credit to; I thought all the comics were great reads.


CREDIT: Kotobukiya

  1. Kotobukiya Alien Warrior Statue

 Being a fan of Kotobukiya statues in general and anything from the Alien franchise in specific, this gem is a prize on my shelf. The statue is very detailed, and includes some plastic pieces to make an open grate like box to hang the alien warrior from the walls or upside down. Being a statue it lacks in joints to pose the figure, but what it lacks in being able to be posed it gains in detail and structure.

Thanks for sharing your favorites with us, Adam!   Next time we’ll see what tickled Al Sparrow’s fancy in 2016!

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Baltimore Comic Con 2016: Comics Still Reign at this Con


Baltimore Convention Center

Living in California, I’ve been to many cons in the western US, but had never been to an east coast convention before, and I had heard nothing but good things about Baltimore and Heroes Con from  east coast friends.  My job had me, in a pleasant coincidence, working in Annapolis, MD on the Monday thru Thursday  right before the Baltimore con this year, so I thought: “I’m in the neighborhood, I should stick around for a couple of extra days and check out this convention!” and I’m certainly glad I did.  I’m going to describe my experiences, all positive, along with a few cautionary notes and suggestions to the people running the con in this Blog.

Comics still take a very visible front row seat at this convention, which is a rarity at “comics” conventions nowadays.  Many cons spend much more energy and devote much more panel and floor space to things that are Hollywood related or general pop culture, because those are things that draw in bigger audiences than the comics themselves.  Walking around and overhearing snippets of conversation over the course of several days, I got the feeling that there are definitely more “pure comics” fans, by percentage, than at other cons I have attended.  I heard a number of people talking about print comics; about issues and stories they had read and enjoyed, past and present, as well as their desires to “buy comics”.  One person I overheard was very focused on this, saying he only came to this show to buy comics, and WOW!  There were lots of comics dealers at this show to sate this individuals desire for comics.

On the flipside of that, there were also plenty of people whose conversations focused more on the media gusts and other pop culture topics, with little focus or interest in comics.  This is certainly not a bad thing, but the cautionary note is this:

I have been attending the San Diego Comic Con since 1990.  That con used to be focused on comics.  Over time, they shifted in public perception because Hollywood, video games, etc. took up more and more of a visible role, to the point that now to those on the outside looking in, SDCC is no longer a comics oriented show.  On the inside, for those who love comics, this can be seen to not be the case.  There are just as many comics dealers at SDCC (if not more) than at Baltimore, it’s just that they only take up a fraction of the show floor as the other stuff has taken on a life of its own.  The number of pure comics-related panel content at SDCC dwarfs what is available in Baltimore, there are 10x the number of comics panels at SDCC.  But even with all this content, people still say SDCC is “not about comics”.  This is the trap you fall into as a convention organizer when you start ramping up the number of Hollywood celebrities.  It’s the best way to grow attendance and it is ALSO (unfortunately) the best way to shift the focus of your convention away from comics.  This is not a knock on Baltimore Comic Con, but a warning as they spend a lot of energy promoting actors like Sean Astin, Candice Patton, Hayley Atwell, and “the guy who played Hodor on Game of Thrones”.   San Diego was once right where you are, and they let this get away from them.  If you genuinely want to be the “comic lover’s comic con”, don’t let this get away from you too.


Baltimore Comic Con Yearbooks 2012-2016

Baltimore does a superb job promoting comics artists.  The most creative way of doing this is their yearbook with lots of attending artists contributing an illustration focusing on the theme of the year, which was Archie comics this year.  They still had the books available from previous years, so I purchased them back to 2012, and each one is a fabulous artifact.  The creativity then gets taken up a notch by their concept of a scavenger hunt for artist’s signatures.  If you get 20 signatures in the book, you get 2 of 5 prints of images that didn’t make it into the book.  If you collect 40 or more signatures you get all 5 prints.


Baltimore Comic Con Archie scavenger hunt prints

Always up to a challenge, I collected 43 signatures and got the full set of prints.  The good part is that those people participating in the scavenger hunt have to talk to a lot of artists.  I spent hours completing the task because I chatted with most of the artists.  Sometimes if they were deeply involved in a conversation with someone else I’d get the signature and move along, but for the most part I talked to most of the artists.  I had great conversations with Carla Speed McNeil, Ramona Fradon, Howard Chaykin (I learned he used to have a home a few exits up the freeway from where I live!), John K. Snyder II, David Peterson, Barry Kitson, Mark Wheatley, Mark Waid (who told a great story about going back to the visit the house he grew up in only to be asked if he was a “revenuer”) and more!   I ended up getting sketches or other artwork from a number of them:


Avengers preliminary art by Barry Kitson


Wonder Woman sketch by Ramona Fradon


Sketch cover by Franco

“5 minute sketch” by Barry Kitson


Vision & Scarlet Witch by Katie Cook


“Carpool Buddies of Doom” sketch cards by Rafer Roberts

I have no doubt that I’d not have had the same interactions with as many artists had I not been doing the scavenger hunt.  When I got to Barry Kitson’s line he was doing free “5 minute” sketches, where he’d have a clock running.  He was also doing $60 head/torso and $130 full body sketches which were awesome with not only full inks, but also full color!  While in line I watched him do a fabulous Judge Dredd as well as an awesome Star Sapphire.  He spent 30-40 minutes on each paid sketch.  I would have gotten a paid one, had I not felt sorry for all the people waiting in line, making them wait an extra 30 minutes or more, so instead I bought some of the preliminary artwork Kitson had for sale while contenting myself with a 5 minute sketch of Cap (see above).  If I go to another con that Kitson is at, I’ll make a point of going to his table straightaway to get a full blown sketch.  Another cool thing (for me) was being recognized by another person in line: “Are you in that video on YouTube for having the World’s Biggest Comic Collection?”; which provided a topic for conversation for quite a while as people around me in line asked questions about comics storage, organization, and interfacing with the folks at Guinness.  Only the 3rd time I’ve been recognized by someone for this, so it’s still a novelty for me.


Similarly, when I was at the Valiant booth, complimenting Fred Van Lente on his latest series Generation Zero, Valiant’s Director of Sales pointed out to Fred that I was the world record holder and given I’ve read about 100,000 comics in my lifetime, I have some legitimate context when declaring a comic among the best that I’ve read.  A Valiant fan standing nearby got very excited hearing this and wanted to take a picture with me…you can see that he’s inordinately excited to meet me.

In addition to my interactions with artists and other fans, I dove into what Baltimore seems to excel in…diving through the bins of back issues at numerous dealers.  Even with a limited back issue budget that prevented me shopping for any of the key issues I was lacking, I was still able to score quite a few nice books to fill in gaps in my silver age DC collection for very reasonable prices.

I also picked up one of the X-Men issues I was missing (the last new issue before the title switched to reprints) as well as an EC comic that I got for $9… and I couldn’t pass it up at that price.


…finally, I found some wonky books in a $3 box.  The only one of these I had seen before was the 1st issue of The Peacemaker, which is frequently featured in Scott Shaw’s “Oddball Comics panel at the San Diego Comic-Con.  Peter the Pest is a Marvel humor reprint title that I had never even heard of, and I loved the guy playing with action figures of Blue Beetle, Peacemaker, and others on the cover of Charlton Premiere #3.

Bottom Line
Baltimore Comic Con is a great show for people who love comics, with offerings for people into general pop culture as well, though I hope that stays at the current level and does not rise up and turn this show into a clone of many other cons that have grown by including Hollywood celebrity at the expense of comics content.  If you like old comics there are plenty of back issues to buy.  If you’re a fan of comics art, there are LOTS of artists to meet, talk to and buy prints, sketches, comics, etc. from.  If you enjoy trying new things Baltimore has one of the most comprehensive Artist’s Alley sections I’ve ever seen with a lot of up-and-coming creators who have all kinds of new and different works for sale.

If you’re a comic lover anywhere near Baltimore this show is well worth your time.

Bob Bretall: bob@comicspectrum.com
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Bob’s Top 10: San Diego Comic Con International 2016

SDCC by Night

Outside the Convention Center at night

I did so many great things at Comic Con International: San Diego this year!

I went out of my way to focus on comics and only comics, so I had a different experience than almost anyone else there, since even the most die-hard comics fans generally mix some Hollywood action into their convention experience.  There’s certainly nothing wrong with that, I like the Hollywood stuff as well, but after 27 years of attending the convention I find that most of the “show exclusives” end up in boxes in my garage and the Hollywood panels reveal information that I’m able to see on the internet, and it’s not like I’m being invited to have one-on-one interactions with any of the celebrities.  Being seated several hundred yards from them in a massive room where I can only see them on the big screen in the room is not much better, for me, than just watching them on a screen after the convention.

Comics panels, on the other hand, are typically much more intimate affairs with anywhere from 30 to a hundred or so people in the room (as opposed to thousands).  The ability for direct interactions with the panelists is a very real thing.  I was able to ask questions and get real responses (not just a ‘stock’ answer approved by a marketing department) in a bunch of the panels I attended.  I talked to comics creators after their panels in the hall, or at their booths/tables and was able to thank them for the entertainment they have provided over the years.

I attended 25 panels and did lots of other stuff so it’s hard to boil it down to just a top 10, but people seem to like Top 10 Lists, so I’m going to give it a shot:

WicDiv Cosplay

Jamie McKelvie & Kieron Gillen with Wicked+Divine cosplayers

10. Spotlight on Jamie McKelvie
McKelvie was joined by his long-time collaborator Kieron Gillen who served as moderator/interviewer as he led us through McKelvie’s early days, breaking into the business, artistic influences, and musical influences (since music plays such a key role in many of their projects).  It was fascinating to get the behind-the-scenes view of a creator I’ve enjoyed for so long, and seeing the two of them interact it was clear they were great friends as well as collaborators.  After the panel they posed in the hall for pictures with the people in attendance cosplaying as characters from their current fan-favorite series The Wicked+The Divine, and they were genuinely nice and unrushed with their fans.


Overstreet: 46 and Counting Panel

9. Overstreet: 46 and Counting
This panel started off on a bit of the wrong foot with a video featuring lots of comics dealers talking about the Overstreet Guide and how it helps them make money by seeing what they can charge People who know me know that the monetary aspects of comics collecting are not my favorite thing.  There’s nothing wrong with making money off comics, it’s just not my thing, and I would not enjoy listening to an hour of talk about how to make money off of comics.  Thankfully, as soon as the short video was over and the panelists started talking, they really focused on the comics fandom aspects of the Overstreet Guide.  Using it as a reference tool to see what issues and series existed, what were key events, what were reasonable prices they would need to pay to get a comic for their collection.  They reminisced about the early days of the guide and coming off the “wild west” days of not really knowing what was out there and what were reasonable prices to pay.  There were stories of dealers who would take a guide that was a few years old with them when going to buy collections (so as to pay less) but always having the latest one for when they would sell.
I must admit that I have always been leery of dealers who charge at or above maximum prices, but that’s basically how we see rising prices/values.  If there are recorded sales above guide price, then the guide rises to reflect those prices, so dealers are always looking to test those limits of how much fans will pay to get that desired collectible because it will raise the value of their stock for future sales.


Bob with Maggie Thompson

The highlight of this panel, however,  was meeting Maggie Thompson afterwards, having a short chat with her.  I read The Comics Buyer’s Guide (edited by Maggie and her late husband Don) for over 20 years and particularly enjoyed it when it was in the old “weekly newspaper” format that came to me via the mail.  This was our ‘internet’ for fandom before there was an internet.  I’d read the letters column ‘Oh, So?’, Peter David’s ‘But I Digress’, Bob Ingersoll’s ‘The Law is a Ass’, and Tony Isabella’s ‘Tony’s Tips’ column, and many more.  Meeting Maggie and letting her know about all the comics joy she brought me over several decades was the highlight of this panel for me.  I truly consider her to be the patron saint of comics fandom.

Matt Fraction

David Brothers (moderator) & Matt Fraction

8. Spotlight on Matt Fraction
For early on Sunday morning, Matt Fraction was certainly “on”.  The man brought his A game throughout the panel, animated and engaging with the audience.  Jokes and witty quips throughout, he was extremely engaging as Brothers took us on a tour of Fraction’s comic history.  Getting behind-the-scenes on seminal works like Hawkeye and Casanova, as well as his side of working with Howard Chaykin on Satellite Sam (a series that everyone should have a look at).  If you ever have a chance to see a Fraction panel, jump at it, this guy has it down.

Twisted Roots

Nicky Wheeler-Nicholson, Gerard Jones, Nathan Madison, Brad Ricca, Michael Uslan

7. Twisted Roots of Comics: Pulp Magazines and the Birth of the Modern Comic Book
A wealth of comics history knowledge on this panel: Nicky Wheeler-Nicholson is co-writing (with Gerard Jones) a biography of her grandfather, the man credited with creating the modern comic book, as well as the founder of DC); Gerard Jones among other things, wrote Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book; Nathan Vernon Madison is a scholar who wrote Anti-Foreign Imagery in American Pulps and Comic Books; Brad Ricca is author of SuperBoys: The Amazing Adventures of Jerry Siegel and Joe Shuster; and Michael Uslan is a producer of the Batman movies and was the first instructor to teach an accredited course on comic book folklore at any university, he has also written a number of comics and has an autobiography called The Boy Who Loved Batman.
You just cannot get this amount of sheer information about comics most places, listening to these folks talk about the origins and history of comics for an hour was a real treat.

Shadow 1936
The highlight of this panel for me was when Michael Uslan pointed out that the Batman story in Detective #27 “Case of the Chemical Syndicate” is directly lifted (the plot as well as some dialogue and captions duplicated word for word) from The Shadow pulp, November 1936: “Partners of Peril”.  Spot illustrations from the pulp are also lifted for some panels of the comic (with Batman in place of The Shadow, of course).  So….Batman’s 1st appearance is partially plagiarized from a Shadow pulp!  I did not know this!


Howard Chaykin

6. Spotlight on Howard Chaykin
Chaykin held the microphone and just walked around out by the audience.  No moderator, this was pure Chaykin.  The man is extremely talented and seems to be his own harshest critic, but is very entertaining to listen to.  From his earliest days to his latest work, as well as working with other professionals and publishers, Chaykin covered it all in a very entertaining hour.

Chaykin art

Original Art by Howard Chaykin purchased by Bob

Chaykin also slid in a plug for his table down in Artist’s Alley.  Everything he was selling was original art, even the above pieces that might, on first glance, appear to be character studies or sketches.  Chaykin explained that he likes to do the figures like this and then composite them together with backgrounds and textures in Photoshop nowadays.  He’s clearly a master of design and I love the way he draws clothes.  In fact, he admitted that he doesn’t like to draw skintight costumes and would much rather draw ‘regular’ clothes.  I also got the scoop on the tape you will frequently find on his original art.  It turns out that he uses Scotch Blue matte finish tape for corrections (there are also green and red varieties of the tape, named based on the color of the boxes they come in).  The Blue, he explained, is great at taking his pencils and inks.  He’ll often use it in areas (faces, hands, etc.) where he wants to get some detail just right.


5. Kickstarter Dinner
While not on the formal SDCC schedule, I was invited to a Kickstarter dinner where they were getting together backers and people who had run successful Kickstarter campaigns.  It was an information gathering/sharing event held at a very nice restaurant in the Gaslamp district.  Being a backer of well over 100 projects, holding the Guinness Record for largest comics collection, and being on the Press list for SDCC combined to get me my invitation.  I was seated between Jimmy Palmiotti, who has run a number of very successful Kickstarters for original comics, and Scott Rosenberg, Chairman & CEO of Platinum Studios and (in 1986) founder of Malibu Comics.  There were a number of other artists, writers, publicists, etc at the dinner and it was fascinating talking to them all, but I had the most fun with Jimmy and Scott.  I have a lot of respect for Jimmy’s body of comics work and we chatted about a lot of it, as well as completely non-comics related stuff.   Scott started out in comics by running a mail-order business when he was 13!  He’s a huge fan of comics and we had great fun talking about all kinds of comics.  I think he was surprised that I could rattle off so many titles from Malibu, Adventure, Aircel, and Eternity that I had read back in the day.  I loved the Ultraverse titles before Marvel bought the company and swiftly ran the Ultraverse into the ground.  I’m grateful for having had the opportunity to network with all the people who were at this event.

4. Hanging out with Friends
This one is a recurring favorite for me year-in and year-out.  Typically in the Top 5, save for the really outstanding moments at con that make me go “WOW!”  I’m always amazed that with the sheer number of people at this convention that I always seem to bump into a number of people I know on the floor.  Given that I was only on the show floor for a total of less than 4 hours Thursday thru Sunday, I’m amazed that I bumped into anyone, but actually spent time with 5 or 6 people, putting my “bump into” ratio around 1.5/hour.  Add to this attending panels with people I know (thanks to Comic Con’s MySched app, I can see friends schedules and they can see mine) and then having dinner with people I now every night, I was truly blessed to have so many folks to spend time with.

Kirby Panel

3. Jack Kirby Tribute Panel
Mark Evanier, long time friend of the Kirby family and Kirby historian/biographer, opened up the panel this year with a sentiment I have expressed myself in the past, only to be shouted down by Kirby zealots (to be clear, I have been shouted down by the zealots, Evanier was not, there was an odd silence after his opening monologue).
So what did he say that was so packed with truth, yet sop potentially controversial?  In a nutshell (I’m paraphrasing, but have the general gist of his message intact, I believe):
“Jack Kirby now has co-creator credit on all the things he created with Stan Lee.  His name is on the movies and in new printings of the comics.  Whenever there is a collaboration of two creators it generally says ‘created by X and Y’.  There is not a percentage attached on who created what parts or who created more than the other.  It is quite clear that the characters created by Jack and Stan were created by both of them.  At this point there is nobody who could accurately attribute a percentage to either one, so let it stand and accept the ‘created by Lee & Kirby’.  Kirby fans have got to let go of the vitriol they typically direct at Stan Lee.
There was certainly more than this in his talk to the audience, it went on for at least 5 minutes and he quoted various people he had spoken to who had worked at Marvel back then who all agreed that both men had contributed to the characters.  For my own part, I only have to look at the characters themselves.  The things created by Stan & Jack are unique.  They are not like the things Stan created outside the collaboration with Jack.  They are not like the things Jack created by himself or in collaboration with others.  There is a certain spark in the Lee/Kirby (or Kirby/Lee) creations that does not exist elsewhere.  They are collaborative creations and worrying about the exact percentages to attribute to either man is not only unknowable, but also kind of a waste of time and energy.
Later in the panel, during the Q&A session, a man asked the question: “What percent of the various characters do you think Jack created?  He created more than Stan, right?”  Evanier, nonplussed, responded “You weren’t here at the beginning of the panel, were you?”  No, the man was not.  Evanier gave an abbreviated retelling of the “Let it go!” speech and moved on.  BRAVO, Mark!!

March Panel

John Lewis, Andrew Aydin, Nate Powell

2. March: Featuring Congressman John Lewis
John Lewis is AWESOME.  He is a National treasure and I wish everyone would read his March Trilogy and learn more details about the Civil Rights movement, from the lunch counter sit-ins all the way up to the 1965 events in Selma, Alabama and the signing into law by Lyndon Johnson of the 1965 Voting Rights Act.  Hearing Congressman Lewis speak is inspirational.  His co-creators Andrew Aydin (the man who convinced Lewis to make this graphic novel trilogy) and artist Nate Powell were pretty great also.
I sat next to several 4th grade girls who were at the convention as part of a field trip to see this panel and meet the Congressman.  They had all read Vols. 1 & 2 of March in school and were able to speak about it with me.  They were all going to get copies of Vol. 3 after the panel at the IDW booth.  That these books are part of school curricula is wonderful.  That kids are learning this stuff should be applauded.  That there is a teacher (and a school principal and school district that allow it) bringing kids to comic con to meet John Lewis is something I’d never have dreamed of as a kid.  This year’s panel was fairly similar to last year’s panel, but still inspiring and I still loved it.  Now that March is complete, it may be Lewis’ last year at comic con, so I’m glad to have been able to hear him speak.

Barrowman at Eisners

John Barrowman hosting the Eisner Awards

1. 28th Annual Will Eisner Comic Industry Awards
There were a number of reasons that this made my #1 spot this year.  It combined elements of a number of other favorite things all into one star-studded evening celebrating comics best.  The Eisner Awards are the Academy Awards of Comics.  While there are not a lot of standard super-hero comics nominated (in much the same way that summer blockbuster action movies are typically not a strong presence at the Oscars) there were a lot of deserving nominees.  I had read a decent percentage of the nominees and feel that the ones I had read were all well-crafted and great examples of the comic book art form.


Bob, Trev, and Conan at the Eisner Awards

Now let’s add in the friends element.  I was invited to sit at one of the tables in the VIP section; reserved for sponsors, nominees, and their guests.  My ticket in was Conan Saunders from MyComicShop.com, and I’ll thank him again for inviting me to his table!  Conan was at the show alone this year and shared his half-table with a friend of mine, Trevor, who knows and lives near Conan in Texas, as well as myself and tow other friends Andrew and Lisa.  We got a fairly decent buffet dinner and decently close seats for the show.  We chatted the evening away over dinner before the show and between presenters, as well as after it was over.  The table seating made this an Eisner ceremony to remember.

John Lewis Eisner

John Lewis accepting his Eisner for best Reality-Based Work

The ultimate?  At the end of the ceremony, as we were walking out of the ballroom, we walked right by John Lewis, who was standing with several other people getting ready to leave.  I stopped and congratulated him on his Eisner, at which point he turned to me and shook my hand engaging me in conversation.  I was able to tell him how much I enjoyed March, how inspirational I found him, etc.  He’s very good at making you feel you have 100% of his attention, if only for the minute you’re interacting with him.  I’m sure this has served him well in his career as a politician, but it’s no less impressive when you experience it first hand.  I’m a bit (a lot?) starstruck by the man.  He has helped make so many changes to this country for the better and his work is far from done.

Comic Con International: San Diego 2016 (aka San Diego Comic-Con, aka SDCC) was an awesome experience for me as a comic fan.  I’m sure it was awesome for many other people for many reasons, and there were probably others who were just turned off by the lines, the crowds, or any number of other personal reasons that didn’t really affect me.  Personally, after 27 years I’m still loving this show.  The challenge in getting tickets is the one real problem that can manifest itself at any time and prevent me from continuing my attendance streak, and if/when it does, I’ll be sad.  Until then?  It’s a show I look forward to every year and I really believe it’s the number one comic-book oriented show anywhere.  If you want comics and comic book content, and look for it, you’ll find FAR more here than anywhere else.

Bob Bretall: bob@comicspectrum.com
https://comicspectrum.com/ Covering the full spectrum of comics culture

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Quick Thoughts on DC Rebirth: 7/13 & 7/20 Shipping Dates


I dropped almost all DC books a few years back during the New 52.  The new takes on the characters were not, for the most part, particularly appealing to me.  I won’t judge the books as bad, they were just not stories that were interesting to me.  I’m not a “native” DC guy.  My entry into comics was via Marvel.  I came to DC 6 years after I started reading comics and my entry was via Warlord, the Legion of Super-Heroes, and Green Lantern.  So, as you might expect, I have a soft spot for Hal Jordan, but my other two “entry points” are no longer actively being published by DC.  I read DC non-stop for 37 years or so before abandoning them during the New52, so it was not a short-term relationship, it was kind of hard for me to drop the titles, but it was time for me to go.

I was extremely excited after the Rebirth one-shot and was looking forward to getting back on board with DC.  Unfortunately, very few of the Rebirth titles have been clicking with me.  I have 3 solid “Yes” titles vs. 9 solid “No” votes.  I’m on the fence about 4 more.  Most of these titles shipped over the past two weeks (I don’t have the books that came out today yet), so let’s have a look at the latest couple of weeks:

Action Comics #959: 4/5 – I’m a bit on the fence with this one.  I’m digging having the “real” Superman back, and fighting his ultimate foe, Doomsday.  That said, the art seemed rushed/incomplete on several pages.  The bi-weekly shipping may be taking it’s toll on how this book looks.

Aquaman #3: 4/5 – This one made it onto my Pull List.  I’m enjoying both the art and the story in this one.  The mixture of politics, action, and terrorism themes make this seem semi-relevant to real life, but in a way that is not off-putting, at least not to me.

Batgirl And The Birds Of Prey Rebirth #1: 4/5 – Julie & Shawna Benson did a decent job on weaving “catch up” info in with a new storyline and I enjoyed the art by Claire Roe.  That said, I am really displeased that The Huntress has been turned into a female version of the Punisher with a crossbow.  It’s that last part that make me on the fence about this title.

Batman #3: 4/5 – I thought this was the best issue of the series so far, but given that issue #1 is one of my least favorite Batman comics of all time, it was a pretty low bar to exceed.  I think Tom King is a fine writer, I just do not care for his take on Batman.  This is my last issue of this series.

Detective Comics #936: 4.5/5 – I’m really liking how the team is coming together with Batwoman in a leadership role.  That said, they’re probably going to lose me after the 1st arc because this is getting pulled into a crossover with Batman & Nightwing (2 titles I do not read).

Flash #2 – No review *DROPPED SERIES AFTER #1*

Green Arrow #3 – No review *DROPPED SERIES AFTER #1*

Green Lanterns #3 – No review *DROPPED SERIES AFTER #1*

Hal Jordan And The Green Lantern Corps Rebirth #1: 4/5 – I enjoyed this one, and I’m a sucker for Van Sciver’s art.  This one is on my Pull List, as I’ve really got a long history with Hal, so I’m giving this one a go.

Hellblazer Rebirth #1: 3/5Moritat’s art seemed inconsistent across this issue.
I also did not care for the inclusion of Wonder Woman, Shazam & Swamp Thing. They seemed shoe-horned into the story and served no purpose other than to provide a cameo that might get a Super-Hero completist to buy the issue.  Finally, the funny little symbols that substitute for swearing got on my nerves. Either swear or do not swear. Don’t do this silly middle ground.  Based on this issue, I’m not going to be continuing with this series.

Justice League #1: 3.5/5 – The story jumped around a lot.  I can appreciate wanting to highlight the various team members, but it made the story seem choppy.  Also, fully on me, but I missed the issue where Wonder Woman got the ability to run around wielding lighting bolts, so that was kind of unexpected.  I’m also not a fan of “global Cataclysm” stories in a shared universe like DC, because when the huge global problem goes completely unmentioned in every other book it just feels strange to me.  Likely not something that bothers a lot of other people so it won’t be a barrier to entry for most people.  This is actually a decent book to read if you are only going to read one book from DC, since writer Bryan Hitch does not seem to bother with worrying about closely matching up with the continuity in the other books and kind of does his own thing.

New Super-Man #1: 3.5/5 – I really disliked the main character (in his civilian identity).  I suspect Gene Yang is going for a redemption type of story arc here where the kid stops being a creep eventually, but that’s not a story arc I’m particularly interested in reading.  Good art, OK story, nothing intrinsically bad here, just not something I cared for.

Nightwing Rebirth #1 – I felt like I had walked in on the middle of something and the story failed to engage me. Too much continuation from stuff I did not read and too little stuff that onboarded me and made me want to read this moving forward.  Pass.

Wonder Woman #2: 5/5 – My absolute favorite of the Rebirth titles I’ve read so far.  I loved the Year One story in this issue and loved Nicola Scott’s art.  I’m also a big fan of how Greg Rucka is telling 2 parallel stories (Nicola Scott art in even issues and Liam Sharp art in odd issues) to work with DC’s bi-weekly shipping schedule so his artist’s don’t need to rotate off in the middle of a story arc.

Bob Bretall: bob@comicspectrum.com
https://comicspectrum.com/ Covering the full spectrum of comics culture

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SDCC Not About Comics? Not Hardly!

I had a wonderful time at San Diego Comic Con International 2016… it was my 27th year at the show.   But, whenever SDCC gets mentioned there are a host of people on the internet who  come out of the woodwork decrying it as “not about comics”.  “It’s all Hollywood!” they say.  Well, I hate to break it to these people but that’s just not true.


What people need to realize is that comics are a niche interest.  Given a choice between focusing on celebrities, movies, and people in costumes vs. comics and comic book creators, the media is going to go with the flash every time.  Even among the comic fans I know, they go to some comic book panels, but they also split their time and attend/enjoy Hollywood panels and stand in lines for exclusives toys.  It is the ‘nature of the nerd’ to embrace all of these things.  On the other hand, the 90% of the attendees who are JUST there for Hollywood and toys don’t have any interest whatsoever in comic book related panels.

So it’s true that from the outside looking in SDCC can appear to be all Hollywood, cosplay, and people standing in lines for panels featuring celebrities or lines to buy show exclusives.  People love that stuff.  Some (most) attendees likely come to SDCC just for the non-comics stuff.  But for the show to be “not about comics” it would have to be the case that there is not comic book content there for people who are actually looking for comic book content.

Guess what?   Because the Comic Con International folks are not-for-profit and are comic book fans at heart, they make sure there is a TREMENDOUS amount of comic book content for the people who want it!!  Other cons?  I have gone to many where there might be 4 or 5 pure comic book panels at the entire event.  SDCC had over 200 comic book related panels this year, more than 50 every single day of the show!  There were hundreds of comic book creators there interacting with their fans.  There were literally millions of comic books for sale on the show floor; old and new, mainstream, indie and small press alike.

I’ve said it before and will say it again: Every person going to this show can have a completely different experience.  It speaks to both the breadth and depth of content at SDCC that there are so many options for attendees.  Want Hollywood?  Tons of that!  Like books without pictures?  They’ve got you covered.  Sci-Fi?  Cosplay?  Video games?  Cartoons?  Check, check, check. check.  And Comic books.  More comic book content than any other convention in existence.

To demonstrate the tremendous amount of comic book content at SDCC I decided to spend my con doing comic book related things and ONLY comic book related things.  In doing so I skipped a bunch of panels with friends that were non-comic related but I had a great time in attending my comics-oriented choices.  In fact, at many points I had 2 or 3 comic book panels I’d have liked to attend at the same time.   By the end of the convention I attended 25 comic book panels, I’ll run down the list and you decide if these sound like things I could have done at a show that is “not about comics any more”:

PeterDavid + Inkpotl

Peter David with the Inkpot he was awarded with at his panel

1) Spotlight on Peter David: I’m a long time fan of the “writer of stuff” and he has written many definitive comics runs I have enjoyed, including my favorite Hulk story of all time “Future Imperfect”
2) Spotlight on Howard Chaykin: One of my favorite writer/artists who I have been following since the late 1970s.
3) The Business of Creativity: Can Comics Find the Balance? Paul Levitz gave a very informative panel on the business behind the comics with some insights into the ins and out of both traditional corporate-owned comics and other models.
4) Image Comics: Creating the Zeitgeist: with Chynna Clugston Flores, Kieron Gillen, and Marjorie Liu.  I learned that Chynna was one of the key influences for Kieron Gillen.
5) Making the Leap to Creator-Owned Properties: Wendy & Richard Pini, Mark Shultz, Terry Dodson, Frank Cho.  Wendy & Richard were rightly credited for being creator-owned/self-publishing pioneers for their work with Elfquest and the creation of their own publishing house WARP Graphics.

6)  IDW’s New Formats for Classic Comics: covering their Artist’s Edition line, Library of American Comics, and Yoe Press, I was happy to hear that we’re going to be getting Jack Kirby’s Fantastic Four as an Artist’s Edition next year, in what is the 100th anniversary of Kirby’s birth.
7) Vertigo: Covering their existing series, as well as announcing a few new series.


Fabio Moon & Gabriel Ba accepting the Eisner for ‘Two Brothers’

8) Spotlight on Roberto Aguirre-Sacasa: Archie’s CCO and writer of Afterlife with Archie & Chilling Adventures of Sabrina.  If you told be 5 years ago I’d have these 2 Archie books as some of my top favorites I’d have told you that you were crazy.  But this guy did it.  I’m an Archie fan.
9) The Official Aspen Comics Panel: I’m digging the new series Revelations, probably in part because of co-writer Josh Fialkov, one of my favorite comics writers.  And everyone attending the panel got a nifty Lola XOXO art book.
10) Walt Kelly and Pogo: I’m always interested in learning more about characters from before my time that are particularly revered and considered influential by so many creators.  Hosted by Mark Evanier (I learned his girlfriend is Walt Kelly’s daughter), foundational fan and comics journalist Maggie Thompson, film reviewer Leonard Maltin (who is a huge Pogo fan), artist Scott Shaw!, and comics historian Michael Barrier.
11) Twisted Roots of Comics: Pulp Magazines and the Birth of the Modern Comic Book: Nicky Wheeler-Nicholson (author and granddaughter of the man credited with creating the modern comic book, as well as the founder of DC) as well as Michael Uslan (noted author, film producer, comics historian, and teacher of comics)
12) An Hour with Terry Moore: Say no more.  This man is one of  my favorite comics creators.
13) IDW Publishing: The Main Event: A focus on IDW’s future plans, there were a LOT of ROM fans in the audience…  Everyone in attendance got a free copy of Rocketeer Adventures Treasury Edition.  Some really great stories reproduced in this oversized comic.
14) 28th Annual Will Eisner Comic Industry Awards: The Academy Awards of comics.  You don’t get more comic-book focused than this event.

Dan Clowes

Dan Clowes (on right)

15) March: Featuring Congressman John Lewis: Volume 3 just came out completing the trilogy.  Volume 2 won an Eisner for best reality-based work the previous night.
16) Spotlight on Daniel Clowes: Another of my favorite creators.  His Eightball series is brilliant.
17) Overstreet: 46 and Counting: A panel of long-time fans and Overstreet advisors (including patron saint of fandom, Maggie Thompson) talking about what the guide has meant to them as fans over the years.  Founder of CBCS Steve Borock was also there to chime in a bit from the monetary angle of comics collecting, though he too kept most commentary fairly fan-oriented.
18) Archie Comics Forever: 75 Years of Storytelling: Archie is hot right now, putting out some of my favorite comics, both in their ‘horror’ line as well as with the revamped Archie (by Mark Waid), Jughead (by Chip Zdarsky) and Betty and Veronica (by Adam Hughes).  Hughes was on the panel along with the Archie top brass.  Everyone in attendance was given a copy of the Franceso Francavilla variant cover edition of Betty&Veronica #1
19) Spotlight on Jamie McKelvie: Excellent examination of Jamie’s career in comics.
20) Oddball Comics Live!: Scott Shaw!’s annual celebration of bizarre comics covers, with a running commentary.  Highly recommended for anyone who has not seen it before, fell flat this year as it was covering material Scott has presented previously, so it felt like a rerun to me, down to the jokes he was telling about the covers.  I LOVED it the first time or two I saw these same covers/jokes, not quite as special after 4 or 5 times.
21) That 70s Panel: Host Mark Evanier talks with classic comics creators Howard Chaykin, Paul Gulacy, Elliott S! Maggin, and Marv Wolfman.  Lots of comic history and insider stories.

Some of the covers examined at this year’s “Cover Story” panel

22) Jack Kirby Tribute Panel: The annual celebration of the King of Comics!
23) Spotlight on Matt Fraction: This guy is hilarious!  If you ever have a chance to see him do a panel, jump at it.
24) CBLDF EC Lives! Live Art Jam:  Watch as artists draw sketches using a projection system that shows the work come to life as the drawing progresses, they also talk about their drawing process and give out their drawing tips and tricks.  At the end of the panel they auction off the sketches to benefit the Comic Book Legal Defense Fund.  Theme this year was EC comics (horror, suspense, sci-fi, war).
25) Cover Story: One of my favorite panels year in, year out.  5 covers, chosen at random, are put up on the screen and the artists discuss what they like (or don’t like) about them, as well as a bit about their artistic process that was used in creating them.  This year’s artists were: Jonathan Case, Howard Chaykin, Paul Gulacy, Scott Shaw!, Babs Tarr

In Summary
You can see I attended a lot of panels about comics.  I met and personally chatted with ~50 comic creators both after panels in the hall as well as at their booths down on the show floor.  SDCC not about comics?  Hardly.  That said, you can easily have an SDCC experience totally devoid of comics if you choose to.  On the other end of the spectrum you can have one that is 100% comic-books, like I did, if you want to.


Crowd outside the ‘March’ panel

I waited in line 1 time:

  1.  The March Panel with Congressman John Lewis had about 200 people lined up when I got there 40 minutes before it started (it was the 1st panel of the day on Saturday).  This was at least half consisting of the 3rd & 4th grade classes of a local school and their chaperones.  By the time the panel started the line had doubled in size and every seat in the room was full during the panel.

That said, if you want to go to any of the Hollywood panels or the BIG panels from Marvel/DC, be prepared to wait in line because those are the same panels that the other 95% of attendees ALSO want to go to.  There’s an advantage to being focused on mostly creator-owned comics and comics history types of panels.  No lines.  That’s in addition to hearing stories and inside stuff you’ll probably hear nowhere else.  The Hollywood stuff is cool, but it’s nothing you’re not going to be able to find on the internet probably almost as soon as the panel is over.

The one thing that is a fair criticism of SDCC is the difficulty people have in getting tickets.  More people want to attend than there is space to accommodate.  The majority of those people are primarily pop culture fans who don’t read comics, but revel in the things that are derived from the IP created in the comics.  This is a bummer to the comic fan who wants to get a ticket but you have to ask yourself before you throw a stone: If you got a ticket would you attend a “pure comics” con track like I did, or would you want to slide in some panels where you get to see the premiere of the trailer for that latest cool movie or TV show.

SDCC has grown to include these other things because comics fans typically ALSO like these things, but in doing so they have also opened the door to hordes of people who ONLY like those ancillary things.  For my own part, I am fine with the Hollywood content.  It does not affect my convention experience.  I’m really happy that SDCC continues to offer up loads of comic book content for those of us who want to partake of it!

Bob Bretall: bob@comicspectrum.com
https://comicspectrum.com/ Covering the full spectrum of comics culture

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